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This month, Europeana Pro looks at how the public domain contributes to the re-use of cultural heritage and explores different aspects of open access. Europeana Collections Manager Douglas McCarthy has interviewed a number of cultural heritage professionals about open access for Europeana Pro, but today he tells us more about his own research and the global picture of Open GLAM.
At Europeana, we want to bring the richness of digital cultural heritage to both students and educators, and we work with partners to ensure that these groups can access Europeana’s collections and resources. In this post, we explore how Europeana is working with the platform Unsplash to reach new educational audiences.
Annabelle Shaw is copyright and rights systems manager at the British Film Institute (BFI) and leads on the rights work for archive digitisation and access projects. In this post for Europeana Pro, she reflects on the approach her institution has taken towards rights research ahead of mass digitisation projects and suggests a fresh way for cultural heritage institutions to look at this important practice.
Explore how ENA Education Community members have been fostering the use of digital culture in education at the national level, as well as 10 ways new members can contribute in the future!
From September to December 2019, Europeana’s ‘Europe at Work’ season encouraged the public to share their work-related stories, and demonstrated that the working world we inhabit today is rich and varied and is the result of a series of technological and societal changes over time.