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Europeana Creative is pleased to announce its final challenge encouraging you to design and submit products, applications and designs that reuse Europeana content in the theme of Design.
Discover how the Policy for persistent identifiers in the data space can guide cultural heritage institutions to ensure that resources are reliably identified and remain accessible online now and in the future.
As the new year begins, Harry Verwayen, General Director of the Europeana Foundation, Kerstin Arnold, Chair of the Europeana Aggregators’ Forum and Rob Davies, Chair of the Europeana Network Association, share their message for the year ahead, on behalf of the Europeana Initiative.
Do you work in, with or around cultural heritage? This year, do you want to develop your digital skills, stay up to date with news from the sector and learn from and network with peers? Then read on and discover seven ways to stay up to date with digital cultural heritage in 2025!
At this event, participants will use Europeana's datasets and AI4Culture’s advanced tools to work in teams and develop bold ideas to innovate, inspire, and shape the next chapter of cultural heritage. It is organised by the AI4Culture project.
We speak to Yoan Fanise, creative director and co-founder of (the independent video game development studio) Digixart about the launch of the moving WW1 video game 11-11: Memories Retold and the importance of highlighting the differing and personal aspects of historical events.
In today’s article on the topic of 10, we look back at the last ten years of social, cultural and tech innovation, and draw parallels between the cultural zeitgeist and Europeana activities.
Title:
Return to Sender: Mapping Memory Journeys in the Europeana 1914-1918 Postcard Archive
Funding from the 2018 Europeana Research Grants Programme provided support for three early-career scholars to develop projects related to the theme of The First World War. Read on for information about Elizabeth Benjamin's project.
