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‘La Donna che Legge’ is the seventh issue of the ‘Culture Chanel’ exhibitions curated by Jean Louis Froment that disclose through its key elements the vocabulary of Gabrielle ‘Coco’ Chanel and her House.
‘Masterworks: Unpacking Fashion’ discloses how The Costume Institute has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed fashion history and advanced fashion as an art form.
The first to explore the challenging and compelling territory of taste in fashion, the exhibition ‘The Vulgar. Fashion Redifined’ displays more than 120 fashion objects, drawing the visual vocabulary of vulgarity from the renaissance to today.
What makes a brand? What goes into constructing a fashion house’s identity? ‘Label It. Trademarks in Fashion’ aims to answer these questions through a selection of the creations of the most representative designers of contemporary fashion.
The exhibition ‘1920s JAZZ AGE Fashion & Photographs’ brings together over 150 objects including sportswear, printed day dresses, fringed flapper dresses, beaded evening wear, velvet capes, and silk pyjamas to recount age of modernity and frivolity.
