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What are the benefits and challenges of automatic subtitling? Mauro Cettolo, Senior Researcher with thirty years of experience at Fondazione Bruno Kessler, explains to EFHA’s Marco Rendina what subtitling is and how it will be made available to cultural institutions in the context of the AI4Culture project.
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Acquisition of morphometric criteria for a Gallic pottery sherd using photogrammetry.
Bibracte, an archaeological heritage site in France, is digitising 400 archaeological artefacts in 3D as part of the Eureka3D project. Academics and scientists at Bibracte are taking this opportunity to learn more about the technical aspects and requirements of 3D digitisation.
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Twin it! logo. A composition of Windmolen van Elene by FrDr, CC BY-SA 4.0 and Elene windmill by visualdimension, CC BY-NC-ND
The Twin it! campaign invited EU Member States to submit at least one 3D digitised heritage asset to the common European data space for cultural heritage, and Member States rose to this challenge. Colleagues from Cyprus share insights into their multiple submitted assets, which include the Castle of Paphos, the archaeological site Khirokitia Vouni and the Lambousa fishing boat.
AI4Culture is a data-space supporting project building an online capacity building hub for the application of artificial intelligence technologies in the cultural heritage sector. Today, the project launches a new interview series which puts the spotlight on AI tools for cultural heritage.
Are you interested in the 2024 call for proposals for the European Cultural Heritage Cloud? Don't miss the dedicated Cloud Info Day session. This event is organised by the European Commission.