There are tens of millions of items on Europeana Collections but we know that not all of them are easy to find or easy to use and that can be frustrating. So we’re working hard to improve that.
How easy an item is to find or to use depends in part on the types and quality of the information we have about it. This post looks at how Europeana is supporting cultural heritage institutions to improve the digital files (content) and the accompanying information (metadata) that they provide for both new and existing collections.
Since January 2015, Europeana has been one of the European Union’s Digital Service Infrastructures (DSI). In this series, we will look at some of the Europeana DSI activities, giving you a greater understanding of the endeavours and challenges we’re working on right now. We start with the cultural heritage itself. It’s what Europeana is all about.
Rounding out our series on digital storytelling, Gregory Markus, Project Leader at the Netherlands Institute for Sound and Vision, lets us listen in on their latest projects. Via the RE:VIVE initiative, they’re reusing cultural heritage material to make electronic music that brings sounds and memories of the past to current audiences.
Building on the success of participatory campaigns Europeana 1914-1918 and Europeana Migration and on the editorial approach of Europeana’s Women’s Season, our season for autumn 2019 will be Europe at Work, sharing the story of Europe through our working lives in the past and present.