In our final article of our GIFT series we interview one of the GIFT consortium project leads, Bogdan Spanjevic. As General Manager of NextGame, a Belgrade-based company specialising in playful projects and digital advertising, Bogdan talks with us about how appropriation models have been tested, adapted and played with as part of GIFT, and how the museum has been brought to cinema audiences via their #OneMinuteMuseum initiative.
For the 4th article of our GIFT series, we invited GIFT project member Paulina Rajkowska, lecturer at Uppsala University in the Department of Informatics and Media, to share her experience working on Your Stories, a museum experience that introduces personal objects into museum spaces. Developed together with the newly reopened National Museum of Serbia, Your Stories is a co-created experience between the museum and the visitor.
As part of our series spotlighting the GIFT project, we take a moment with the Royal Pavilion & Museums in Brighton, UK. They have spent three years working with GIFT project partners Blast Theory, helping to test the GIFT web app in a live museum setting. In this article Digital Manager Kevin Bacon shares his perspective on GIFT and museums of the future.
Following on from last week’s introduction to the GIFT project, Karin Ryding from IT University Copenhagen introduces you to one of its sub-projects: Artcodes, customisable scannable markers that allow you to blend your physical exhibition with digital content. Artcodes were used at the Museum of Yugoslavia to create a poetic and intimate experience addressing memories, conflict and forgiveness.
At Europeana Foundation we’re really excited to be involved in the GIFT project as part of the European Union’s Horizon 2020 research and innovation programme. Over the next few weeks we'll be presenting you with some of the exciting developments coming out of the project. We start with an introduction from the Principle Investigator, Anders Sundnes Løvlie.
This month on Europeana Pro News, as the academic year draws to a close, we’re looking back to see what we, and our education community, have learned over the last months. Today, Ryszard Markowicz, a teacher and Europeana User Group member in Poland, gives us his top three lessons learned.
This month on Europeana Pro News, as the academic year draws to a close, we’re looking back to see what we, and our education community, have learned over the last months. Today, Teresita Gravina, a junior high school teacher and Europeana Teacher Ambassador in Italy, gives us her top three lessons learned.
This month on Europeana Pro News, as the academic year draws to a close, we’re looking back to see what we, and our education community, have learned over the last months. Today, Bridget Martin, a history teacher in residence at EUROCLIO, gives us her top three lessons learned.
At Rewire Festival in The Hague on March 29th, the Instrumental Shifts Symposium, organised by The Netherlands Institute for Sound and Vision’s RE:VIVE initiative explored the intersections of AI R&D related to music and its impact on the creative sector. EuropeanaTech community manager and RE:VIVE founder, Gregory Markus, wears both of his hats and explains why these meetings are so valuable for both ends of the spectrum.
What do a library and a lab have in common? Well, not much, you may think at first. But the opposite is actually true. Clemens Neudecker tells us what a lab is in the context of a library, what activities it pursues and who it's for.
There’s always some construction going on behind the scenes of Europeana Collections. We're constantly making improvements to make searching for and viewing cultural heritage seamless. One of our tools is the Europeana Media Proxy. In this GLAM tech series post, we tell you all about it.
In part two of our introduction to the EuropeanaTech 2018 keynote speakers we present two more experts that we are thrilled to have joining the 300+ innovators and thought-leaders from around the world attending the event.