This website uses cookies to ensure you get the best experience. By clicking or navigating the site you agree to allow our collection of information through cookies. More info
In this year’s Europeana Network Association (ENA) elections, we are looking to fill nine seats on the Members Council. We invite our members from all backgrounds and sectors relevant to Europeana to stand for election.
Digital curation is becoming a familiar concept to many in the cultural heritage sector, but do we realise its potential in making digital cultural heritage reusable for research? Agiatis Benardou discusses the work of the APOLLONIS Task Force, and the processes it has followed to help researchers access disparate archives to study the 1940s in Greece.
We are excited to announce an upcoming series of webinars which aim to help cultural heritage institutions navigate the topic of copyright when submitting data to Europeana.
In this post, we explore what motivates people to join the ENA, and outline how we aim to build on and harness their experience to engage them in new ways.
Title: A teacher from Czech Republic during a feedback session of the project, CC-BY 4.0
Date: 2019-08-30
Institution: Institute of the Study of Totalitarian Regimes
The Opening Up Historiana project was a Europeana Generic Services Project which created new ways for history educators to create, share and use eLearning Activities with content from the Europeana collections website. We explore the features the project developed.
Saint George on a Bike is a Europeana Generic Services project which aims to improve the quality and quantity of open metadata associated with imagery from European cultural heritage. In this post, the project team take a look at what it aims to achieve.
Europeana increasingly relies on content generated by users or machines that adds value to the cultural heritage data we share, and makes it more accessible and reusable. These projects raise many new questions, including ones related to copyright: what can we enrich and transcribe, and how do we label, or license, the results?
Title: A visitor in the 'Discovering & Inventing' gallery of the EPIC museum
In July, Europeana held its first ‘Lunch Café’ on the theme of ‘Opening Doors’, encouraging discussion around the re-opening of cultural heritage institutions. In this post, Nathan Mannion and Susan Hazan, who led the Café, reflect on re-opening at their own institutions.
inDICEs aims to empower cultural and creative industries, policy-makers and decision-makers to fully understand the social and economic impact of digitisation of cultural heritage.
Title: Alexander Archipenko, Two women, 1920 (paper mask)
As part of our Discovering Europe season, last week we explored how cultural heritage institutions across Europe are starting to open their doors. In this post, Tamara Butigan takes a look at a special reopening initiative from two Serbian museums who are using digitised art from their collections on face masks, offering people a new and timely way to engage with their content.
Title: Heritage through a smartphone at Runkelstein Castle
During the COVID-19 pandemic, museums continued to build a relationship with their audiences through a range of digital activities. In this post, Chiara Zuanni, assistant professor in digital humanities at the Centre for Information Modelling at the University of Graz, presents a map aiming to collect and visualize the digital initiatives promoted by museums in this period.
The Europeana Media player brings Europeana into a new era of IIIF compatible, interoperable and unified playout of audiovisual heritage material online. It builds on the work undertaken over the past ten years by the Avalon Media System and IIIF, and this post with EuropeanaTech takes a look at the history and growth of Avalon Media System.
