Europeana has been a partner in the Time Machine project since its beginnings. Now, Europeana and Time Machine have signed a statement of collaboration to work together to explore opportunities to further their partnership, building upon existing synergies between the work and ambition of the two organisations.
2019 has been a year of changes for the Europeana Network Association (ENA), which continues to work to promote digital cultural heritage as a powerful agent in an ever-changing world. In this post, Marco de Niet, Chair of the Europeana Network Association (ENA), tells us about the highlights and main achievements of the ENA in 2019 and outlines some of the priorities for 2020.
From 27-29 November, 269 cultural heritage and technology professionals from 37 countries met in Lisbon, Portugal, to connect the Europeana Network Association communities. Here are a few highlights and the links you need to revisit and relive the Europeana 2019: Connect Communities conference.
In this guest post in our Europe at Work series, Karl B. Murr, Director of the State Textile and Industry Museum Augsburg, reflects on the parallels between industrial and digital revolutions and running an industrial museum in a digital age.
Europeana, together with cultural heritage institutions across the globe, is preparing to join the Public Domain Day celebrations in January. In this post, we look at the different ways cultural heritage institutions can get involved.
Access to digital cultural heritage across languages is a priority for the Europeana community and beyond, with a recent EU Presidency meeting in Helsinki highlighting why multilingualism is crucial for us and society. In this post, we explore some of the proposals for improving the multilingual aspects of the Europeana Collections portal and tell you what you can do to help build multilingual systems for digital cultural heritage.
Do you work at a cultural heritage institution with out of commerce works in its collection? Thanks to the the Out of Commerce Works Provisions in the European Copyright Directive adopted in May 2019, it will soon become much easier to share these with the public. But there are some details to be defined at the national level. In this post Ariadna Matas, Junior Policy Advisor at the Europeana Foundation, offers advice on how to get involved in the stakeholder dialogues on out of commerce works that should take place in every EU member state.
The CrowdHeritage project aims to develop an effective web platform to encourage people to help enrich and validate selected cultural heritage metadata - a crucial concern for domain, thematic and national aggregators. In this post, the CrowdHeritage team give us an update on the platform and the project.
We’ve known for a while that our collections website was due for an upgrade, and we’re finally ready to show you what we’ve been working on for the past few months. We’ve developed a demo of an updated Europeana website that is faster, easier to explore, and more accessible. We are excited to be sharing this with you. The final design has not yet been applied, but the demo will give you a good sense of what is coming and give you the chance to provide feedback.
Europeana Members Councillors have diverse jobs and wide experience across the heritage sector, but are united by their passion for digital cultural heritage. In our ‘Professionals in Focus’ series, we speak to our Councillors about their roles, working lives and plans for their time on the Members Council. This month, Maria Engberg, Senior Lecturer at Malmö University, discusses building an interdisciplinary research environment and her enduring fascination with digital literature.